Rohland has removed/erased the colour from the material, thus the self-referential title “Erasure”. What is left, the traces of Rohlands physical work using brush, silkscreen and other tools to remove the identity of the produced becomes her claiming its identity.
Using the original color of the fabric for framing is important as Rohland thereby establish a dialogue between the language of colour and silence of same through erasure, a dialogue visualised through the traces she leaves behind and whereby each single work in its own translated form transcends into an object.
